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Armstrong, apparently preceded Reiniger's techniques for creating an animated film. Armstrong moved flat models with joined parts slightly, photographing each new pose and linking the frames to produce the illusion of motion.
Meanwhile, Ladislas Starevitch, a former scientist from Eastern Europe , made complex wooden models of insects and animals with separable, movable body parts.
Manipulating these, he produced films based on puppet animation. Little has been recorded about her early life and family background,.
In these childhood productions, the future animator already displayed her gifts in cutting elegant and graceful silhouettes with nothing more than a pair of scissors and her own sense of a correct pattern.
She recalled in how she found herself cutting silhouettes "almost as soon as I could manage to hold a pair of scissors.
Attending a lecture by film pioneer Paul Wegener in , she took to heart his message about the possibilities of that medium.
Reiniger was educated at Max Reinhardt 's theater school in Berlin. Despite her fondness for acting, she found herself most comfortable in the world of silhouettes and shadow theater.
Her debut in producing filmed silhouettes came in ; these were handcut figures designed as titles for a film by Wegener, The Pied Piper of Hamelin.
Wegener had discovered her while she was cutting silhouettes behind the stage in Reinhardt's theater. She performed another task for Wegener, finding a way to move wooden rats and guinea pigs for a sequence in the film; Wegener had tried and failed to capture this part of the story using real animals.
Her first silhouette film, The Ornament of the Loving Heart, a brief piece completed in , began her extensive career in creating works in this genre.
Wegener introduced Reiniger to a circle of young artists who had formed a studio to produce animated works, one of whom was Carl Koch, Reiniger's future husband.
Reiniger and her colleagues became important innovators in the technique of animation, creating their own tools such as a special animation stand with different planes upon which to place silhouettes of various sizes, allowing them to film complex scenes with different figures in the foreground and background.
The Adventures of Prince Achmed, which Reiniger finished in after three years of devoted labor, is considered by most film historians to be the first full-length animated film.
Described by Cecile Starr as "a tale of sorcery and splendor, a kidnapped princess, a magic horse, and friendly and monstrous creatures," the film was financed by a German banker, Louis Hagen, who had been impressed by Reiniger's early work.
As Reiniger recalled in , Hagen's plan for a full-length picture in silhouettes at first raised a wave of skepticism in her and in the filmmakers whom she consulted.
Undaunted by the task and unencumbered by close ties to the existing film industry, Reiniger decided to accept the assignment.
Other leading figures in experimental movie making, who likewise felt themselves outside the ranks of established filmmakers, accepted her invitation to join in the project.
These included Koch, whom she had married in , and such luminaries as Walter Ruttmann and Berthold Bartosch. Notes film historian Ally Acker , this talented crew drew on "a compendium of experimental techniques.
Ruttmann, after four years of service in World War I , had given up a painting career to enter the field of animation, and in he had taken the novel step of screening an abstract animated film for a general audience.
Their combined ability to create realistic backgrounds augmented Reiniger's talent for producing lifelike figures. The film was made in a garage studio at Hagen's home in the Berlin suburb of Potsdam.
Decades later, Reiniger still remembered the low roof in the attic studio and the need to place the glass plate for the silhouettes close to the floor in order to situate the camera above it.
To move her figures, she had to kneel on the seat of an old automobile. Prince Achmed was filmed on five reels and ran for more than an hour.
It required more than , photographs to produce its effects, each second of film containing 24 separate shots. Reiniger had to study the actual movement of people and animals in order to produce seemingly natural movement on the part of her artificial creations.
She cut out her figures freehand, making smaller and larger versions of the same figure for use in close-ups or more distant shots.
Backgrounds were produced by using layers of tissue paper. Her cutouts were made from black cardboard and thin lead.
Each arm and leg was a separate piece joined to the body by wire hinges. Reiniger produced the emotional effects she sought by moving the cutouts slightly with her fingers.
By placing a strong light below the glass animation table, she made the black cutout figures highly visible while the same light made wire hinges disappear.
A wire attachment in the camera moved the film one frame at a time, as Reiniger delicately altered the position of her figures.
Reiniger's skill in this art became renowned. One of the key scenes in Prince Achmed exemplifies the complex results of her efforts.
In it two characters, the good witch and the sorcerer, are battling for a magic lamp. As the fight proceeds, the two figures change into different animals, and their struggle conclude with each throwing flames at the other.
In later years, one of her young collaborators, animator Pat Martin, described how "the beauty of the outcome" disguised the tedious, skilled labor that went into the finished product.
German term or phrase: PU-Reiniger. Gely KudoZ activity Questions: 3 open 11 without valid answers 3 closed without grading Answers: Spain.
Local time: Selected answer: Reiniger für Polyurethanschaum. Selected response from: Klaus Herrmann Germany Local time: Klaus Herrmann. Stefanie Sendelbach.
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Please sign in with your email address or Create an Account. Forgot Your Password? Create an Account.One of his classmates was Christine Forrest, the future wife of acclaimed KreuzwortrГ¤tsel Kostenfrei horror filmmaker George Romero. Please try again later. Previous Next. General photo guidelines: Photos larger than MB will be optimized and reduced. Each contributor can upload a maximum of 5 photos for a memorial. A memorial can have a maximum of 20 photos from all contributors. The sponsor of a memorial may add an additional 10 photos (for a total of 30 on the memorial). Talk to Acting Guildmaster Reiniger at the eastern part of the Archaeology Campus. She will be your guide through the first steps of Archaeology. After receiving your first set of tools, you will begin by learning about excavating. Reiniger is the great-great- great-grandson of Josiah Harlan, the first American to set foot in Afghanistan, and who signed a treaty giving the title of Prince of Ghor to all his heirs. Worked as a waiter in the same restaurant where actor David Emge worked as a chef. Both later co-starred in Dawn of the Dead (). Reiniger died in Dettenhausen, Germany, on 19 June , just after her 82nd birthday. Art style. Reiniger had a distinct art style in her animations that was very different from other artists in the time period of the s and the s, particularly in terms of characters. Gya Labs Pine Essential Oil - Pain Reliever for Ache Free Body, Better Focus & Cleaner Air 10ml - % Pure Natural Therapeutic Grade Pine Oil Essential Oils for Aromatherapy Diffuser & Topical Use.